Scores

All of these scores are freely available, though please consider donating whatever you would have been happy to pay to Youth Music (UK).

Please get in touch if you’re interested in playing anything or have any questions—you don’t need my permission or input in order to play my music, but I’d be glad to know.

In development

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New work for mixed chorus

New work for chamber orchestra

New work for electric guitar and four pianos

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Available

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Octet: after five bars by Rebecca Clarke, composer

Twenty mins approx., piano, violin, viola, cello, three steel-string acoustic guitars, keyboard, 2025

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Plain Song

Fifteen minutes approx., 2vln, 2pno, 2025

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Octet, or, Music for 9+ Musicians: a version of “Tending”

Forty mins approx., piano, two violins, two violas, two cellos, two (or more) bass clarinets and local recording devices, 2025

(score pending)

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Double Quintet and Duo: a version of “Tending”

Seventeen minutes approx., 2x (piano, flute, violin, cello, vibraphone/guitar, bass clarinet), 2024

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Sextet and Solo: a version of “Tending”

Fifteen minutes approx., Pierrot quintet, percussion, electric guitar, 2025

For Standard Issue

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Second Piece for Jennie Gottschalk

Flexible duration, piano, guitar, violin or viola, and violin or viola, 2025

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Trio: a version of “Tending”

Fifteen minutes approx., flute, cello, piano, 2024

For Marsyas Trio

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Plain Chant

Flexible duration, voices, 2024

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Piano(s) and String Quartet: a version of “Tending”

Fifteen minutes approx., any number of pianos and string quartet, 2024

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Four Pianos: after four bars by Rued Langgaard, composer*

Thirteen minutes approx., piano quartet, 2024

For Square Music

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Duo: a version of “Tending”

Fifteen minutes approx., piano and e. guitar with e-bow, 2024

To Kory Reeder

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Music for Three Players

No particular instruments, no particular durations, 2024

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Six Lines: after a song by Freda D’Souza

Ten minutes, six middle-register sustaining instruments, 2024

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Tending (guitar), or, 2(1+1+1)

Transcribed from an improvised performance in Minneapolis, March 2024

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Music for Two

Any two players, flexible duration, 2024

After Mieko Shiomi; to Antoine Beuger

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Number Piece(s)

No particular instruments, no particular duration, 2024

For Luke and Nina Martin

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Piano 8 Hands

Five minutes approx., 2024

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Trio: after a trio by James M. Creed, composer*

Flexible duration, flexible instrumentation, 2024

For flxnflx

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Pipe Organ Study 1

Fifteen minutes approx., solo organ, 2024

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Trio: after an étude by Hélène de Montgeroult, composer*

Piano, bass clarinet and cello, at least eight minutes, 2023

Composed for Terra Invisus, trio

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Piano Study 8: for Kate Ledger

30 mins approx., Piano and smartphones (or similar), 2023

Composed for Kate Ledger, pianist

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Cradle Piece

For at least two players, flexible duration, 2022

Published in Prototype 5, anthology, by Prototype publishing

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One Guitar

Solo electric guitar with effects, approx 12 minutes, 2022

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[untitled guitar piece]

(there’s no score for [untitled guitar piece], just some notes here so that somebody could play it if they wanted to)

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For Percussion

Solo percussion, 2022, three pieces:

1. Having only seen the score for James Tenney’s Having Never Written a Note for Percussion whilst having never seen the score for Alvin Lucier’s Silver Streetcar for the Orchestra

2. Having now seen the score for Alvin Lucier’s Silver Streetcar for the Orchestra (which I had already heard) whilst having still only seen the score for James Tenney’s Having Never Written a Note for Percussion

3. Having at last heard James Tenney’s Having Never Written a Note for Percussion (which I had already read) and also seen the score for Alvin Lucier’s Silver Streetcar for the Orchestra (which I had already heard)

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Piano Study 7, or, the logical extension of both “Piano Study 1” and “Piano Study 6”

Solo piano, 2022

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Nomond, or, no more “Lomond”

Flexible instrumentation, flexible duration, 2022

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Two Guitars

Electric guitar duo with effects, 25 minutes, 2022

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Towmond

Flexible instrumentation or guitar with effects, flexible duration, 2022