Upcoming
= more upcoming events TBA =
Previous
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September 27, 2027 // Good Boys at Wharf Chambers, Leeds
Live score for Jean Cocteau’s The Blood of a Poet
With Clare Spollen
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July 12, 2026 // To Your Ear at Omnibus Theatre, London
Cassandra Miller, Daylonging, slacktide ; Matthew Gilley, Three Variable Lines ; Sophie Stone, Amalgamations.
With To Your Ear Collective
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July 10, 2026 // Music We’d Like to Hear at St. Mary-at-Hill, London
With Tim Parkinson, Angharad Davies, James Saunders, Kerry Yong, Paul Whitty, Sasha Elina, Clare Spollen, Fernando Yada Rodrigues, and Maya-Leigh Rosenwasser
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June 25, 2026 [POSTPONED] // Goldsmiths, University of London
Pieces from Tending and Sylvia Lim’s Flare (both Another Timbre)
With Mira Benjamin, Anne Yin Han, Freya Hicks, Natasha Zielazinski, Heather Roche, and Clare Spollen
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June 20, 2026 // St. Mary’s Church Tower, London
Solo and duo sets, launch for Freda D’Souza’s and remade
With Clare Spollen
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June 16, 2026 // Horse Hospital, London
New pieces by James Graham
With Superyacht
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May 23, 2026 // No Idea Radio at Shai Space, London
Solo improvisation
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April 22, 2026 // Eternal Series, Swiss Church, London
Christian Wolff, Burdocks mmt. V ; Jürg Frey, Circular Music no. 6 ; Pauline Oliveros, Papericity
With Goldsmiths Contemporary Music Ensemble
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March 12, 2026 // Horse Hospital, London
Laurence Crane: Guitar Prelude ; Single Harmony for Rhodri Davies ; Chorale for Howard Skempton ; Bobby J. ; Some Rock Music for Alan Thomas
With Laurence Crane, opening for Natacha Diels, Ellie Westbrook and James C. Oldham
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March 8, 2026 // GLARC 10-year anniversary, The Pyramid at Anderston, Glasgow
Max Syedtollan, Prynhawn Da!
With The Listening Project
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January 21, 2026 // Horse Hospital, London
Solo improvisation
Opening for Kari Watson and Katinka Kleijn
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January 18, 2026 // KLANG IM DACH, c/o Christoph Nicolaus and Rasha Ragab, Zieblandstr. 45; V. Stock, München-Maxvorstadt
One Guitar; Laurence Crane, Bobby J.; Howard Skempton, Chorale; Alvin Lucier, On the Carpet of Leaves Illuminated by the Moon; Laurence Crane, Chorale for Howard Skempton; Laurence Crane, Single Harmony for Rhodri Davies; Eva-Maria Houben, Some Tiny Gestures; Elisabet Dijkstra, Dream life of a pylon…
Solo performance
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January 14, 2026 // The Chapel at St. Margaret’s House, London
One Guitar; Laurence Crane, Bobby J.; Howard Skempton, Chorale; Alvin Lucier, On the Carpet of Leaves Illuminated by the Moon; Laurence Crane, Chorale for Howard Skempton; Laurence Crane, Single Harmony for Rhodri Davies; Eva-Maria Houben, Some Tiny Gestures; Elisabet Dijkstra, Dream life of a pylon…
Solo performance
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December 11, 2025 // George Wood Theatre, Goldsmiths, London
Alvin Lucier, Families of Hyperbolas…; Pauline Oliveros, Extreme Slow Walk; John Lely, The Parsons Code…; Eva-Maria Houben, Symphonia; Max Lunn, Nausea; Mieko Shiomi, Shadow Piece I & Shadow Piece II; Annea Lockwood, Dusk; G. Douglas Barrett, A Few Marlenes.
With Goldsmiths Contemporary Music Ensemble (dir.)
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November 13, 2025 // To Your Ear, St. Catherine’s, Telegraph Hill, London
Octet: after five bars by Rebecca Clarke, composer (premiere); Eva-Maria Houben, Gelbe Stunde; Siri Livingston, my eyes are shaky and they glimmer like stars
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November 10, 2025 // Tranzac, Toronto, CA
Solo improvisation
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October 26, 2025 // Pianodrome Granton, Edinburgh
Four Pianos: after four bars by Rued Langgaard, composer
Performed by Square Music
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September 20, 2025 // 840 Series, St. Cyprian’s, Clarence Gate, London
Plain Song (premiere)
Performed by Amalia Young & Anne Yin Han, violins, and Fernando Yada & Jay Austin Keys, pianos.
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July 24, 2025 // Café Oto, London
Max Syedtollan: Prynhawn Da!
With The Listening Project
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July 15–20, 2025 // Klangraum, Düsseldorf, DE
Tending: 5. Pretending (15th); 4. Love Letters (16th); 3. Cartographies (17th); 2. Writing (18th); 1. Reading (19th)
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July 13, 2025 // Music for a While, Trudi’s Kitchen, Arnhem, NL
Antoine Beuger, Ozu Tunings for Thirteen
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July 10, 2025 // Nice to See You, St. Laurence, Catford, London
Octet, or, Music for 9+ Musicians, alongside work by Barbara Monk Feldman, Sylvia Lim, Freeman Edwards, John Lely, Jürg Freay, and Antoine Beuger
Performed by Maya-Leigh Rosenwasser, Anne Yin Han, Amalia Young, Freya Hicks, Adam Possener, Rebecca Burden, Kirke Gross, Michelle Hromin, Alex Lyon, and Clare Spollen
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June 20, 2025 // “Tending” and Versions of “Tending”, St. Cyprian’s, Clarence Gate, London
Six new chamber works
With Standard Issue and Outline ensemble
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June 19, 2025 // Goldsmiths, University of London
Terry Riley: In C; Laurence Crane: Some Rock Music for Alan Thomas
With Goldsmiths Contemporary Music Ensemble (dir.) and Electronic Music Studios
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June 6, 2025 // Goldsmiths, University of London
Improvisation with Louis Gardner and James Graham
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April 16, 2025 // To Your Ear, St. Catherine’s, Telegraph Hill, London
Second Piece for Jennie Gottshcalk (premiere); Luiz Henrique Yudo: The Arrow Maze
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March 27, 2025 // Deptford Town Hall, London
One Guitar
Solo performance
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March 25, 2025 // Goldsmiths, University of London
John Lely: White Noise Machine
With Veronika Dressel, Erik Hill Blaske and Ruthie Cerny
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March 20, 2025 // Goldsmiths, University of London
Terry Riley: In C
With Goldsmiths Contemporary Music Ensemble and Goldsmiths Electronic Music Studios
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February 13, 2025 // Goldsmiths, University of London
Solo improvisation
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January 31, 2025 // Scratch Night at Levenshulme Old Library, Manchester
Tending(s): a version of “Tending”
Solo performance
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December 11, 2024 // “HYPER PLACE” at Venue MOT, London
Constellating; assorted other works
Large ensemble
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December 4, 2024 // Clothworkers’ Centenary Concert Hall, University of Leeds
Commissions for durational guitar from Elisabet Dijkstra and Desmond R. Clarke; new work
Solo performance
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November 23, 2024 // Howard Assembly Room, Leeds
Trio: a version of “Tending” (premiere)
Performed by Marsyas Trio
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October 13, 2025 // Music for a While, Trudi’s Kitchen, Arnhem, NL
Antoine Beuger, to the memory of
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October 1, 2024 // Deptford Town Hall, London
Seán Clancy: 45 Minutes of the Subject of Football
With Omri Kochavi, Saurabh Shivakumar and Zahrah Hutton
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September 26, 2024 // Avalon Cafe, London
Piano Quintet: a version of “Tending” (premiere); Julius Eastman: Joy Boy
With Anne Yin Han, Matthew Gilley, Charlotte Glyn-Woods, Amalia Young, Freya Hicks, Rebecca Burden, Jay Austin Keys and Fernando Yada Rodrigues
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September 21, 2024 // Pianodrome at Leeds City Museum, Leeds
Four Pianos: after four bars by Rued Langgaard, composer* (premiere)
Performed by Square Music
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August 15, 2024 // Avalon Cafe, London
Towmond; Sophie Stone, Postcard Pieces; George Lewis, Artificial Life
With The Listening Project
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July 18, 2024 // Goldsmiths, University of London
Michael Pisaro-Liu: Anabasis (1)
With Mia Windsor, Thomas Carroll, Anthony J. Stillabower, Yu Jin and Jo Christman
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July 16, 2024 // All Souls Church, Leeds
Duo: a version of “Tending” (premiere); Pipe Organ Study 1
With Kory Reeder, Lottie Sadd and Mia Windsor
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July 14, 2024 // University of Leeds
Michael Pisaro-Liu: Anabasis (1)
With Mia Windsor, Thomas Carroll, Anthony J. Stillabower, Yu Jin and Jo Christman
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July 12, 2024 // Music We’d Like to Hear, St. Mary-at-Hill, London
Christian Wolff: Sveglia
With Jack Louis Rennie, Maddie Ashman, Omri Kochavi, Tom Smith, Saurabh Shivakumar, Henri Växby
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July 11, 2024 // Eternal Series, St. Giles Cripplegate, London
Alvin Lucier: Sizzles (solo); Catherine Lamb: Bass Guitar Piece for Adam Overton (trio)
With Sam White and Kirke Gross
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June 16, 2024 // Trudi’s Kitchen, Arnhem, Netherlands
Lomond and Steven Vinkenoog: Reprogression
Performance with Steven Vinkenoog, Tamara Kho, Arjen Stolk, Harm-jan Roeles, Clare Spollen
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June 11, 2024 // Goldsmiths, University of London
Sarah Hughes: Stones Fall to the Sea; Julius Eastman: Buddha; James M. Creed: Lomond
With Goldsmiths Contemporary Music Ensemble
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May 29, 2024 // Hundred Years Gallery, London
“For at Least Two Players” with James McIlwrath and Maya-Leigh Rosenwasser (flxnflx)
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May 27, 2024 // The Crescent, York
“For at Least Two Players” with James McIlwrath and Maya-Leigh Rosenwasser (flxnflx)
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May 25, 2024 // The Attic at Seagulls, Leeds
“For at Least Two Players” with James McIlwrath and Maya-Leigh Rosenwasser (flxnflx)
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May 24, 2024 // Unit 44, Dublin
“For at Least Two Players” with James McIlwrath and Maya-Leigh Rosenwasser (flxnflx)
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May 16, 2024 // St. James Garlickhythe, London
John Cage: Five
Performance with Huw Morgan, Eva-Maria Houben and Artur Vidal
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May 9, 2024 // St. Mary-at-Hill, London
Mathis Saunier: Lava Cycle
Performance with Standard Issue
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April 6, 2024 // Bantha, Pittsburgh, PA, USA
Solo improvisation
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March 28, 2024 // Resource, Minneapolis, USA
Solo improvisation
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March 18, 2024 // Deptford Town Hall, LondonMieko Shiomi: Music for Two Players I ; Ailie Robertson: Vedbaek ; Christian Drew: Pink Room ; Isaiah Ceccarelli: Vingt-deux accords sur fond gris argenté ; Julius Eastman: Joy Boy
With Goldsmiths Contemporary Music Ensemble (dir.)
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March 14, 2024 // Goldsmiths Centre for Contemporary Art, London
Solo improvisation
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March 7, 2024 // University of Leeds
Solo improvisation (four-channel guitar)
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February 23, 2024 // The Lab, Royal Birmongham Conservatoire
“For at Least Two Players” with James McIlwrath and Maya-Leigh Rosenwasser (flxnflx)
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February 19, 2024 // Deptford Town Hall, London
Solo improvisation (four-channel guitar)
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January 15, 2024 // Cafe Oto, London
Tending ; Catherine Lamb: Parallaxis Forma
Performed by/with Standard Issue
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December 17, 2023 // Wharf Chambers, Leeds
Accordion/guitar duo (Blood Niece) performance with Clare Spollen
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September 28, 2023 // Wharf Chambers, Leeds
Solo improvisation
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August 2023 // Co-Incidence Festival, The Station, Neufelden, Austria
Callander; Piano Study 3 & 5; Trio
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July 2023 // Music We’d Like to Hear at St. Mary-at-Hill, London
Amber Priestley: Repeat yourself until friends are embarrassed
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July 2023 // Music We’d Like to Hear at St. Mary-at-Hill, London
Tim Parkinson: Septet
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April 2023 // Deptford Town Hall, London
Linda Catlin Smith: Drifter
Duo with Jay Austin Keys, piano
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April 2023 // AMOK, Artefact, Birmingham
Tending
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March 2023 // Bermondsey Project Space, London
Towmond
Solo performance with screening of Joanna Ward’s audiovisual documentary In Suffolk, Working/Playing
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February 2023 // AME, Dai 大 Hall, Huddersfield
Piano Studies 1-6, Piano Study 7, Piano Study 8 (premiere), Lomond composed by J.M. Creed, with music by L. Crane, J. Frey, E.M. Houben, C. Fox and J. Lely
Performed by Kate Ledger, piano and James Creed, guitar
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December 2022 // University of Leeds
19 Ways to Write C Major (possibly with more ways)
Presentation at University of Leeds PGR Symposium
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October 2022 (rearr. from June 2021) // AiR Niederösterreich, Krems an der Donau, Austria
[new works]
Month-long writing residency, artist in residence for Lower Austria
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October 2022 // Forum Frohner, Krems an der Donau, Austria
improvisation/installation, workshop
Facilitated by AiR Niederösterreich
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October 2022 // Guildhall School of Music and Drama, London
Cartographies: Notation as map-making by way of five abandoned pieces
Presentation (remote) for symposium A Dream of Walking: Practising music of place, cur. Amy Crankshaw and Julian Philips
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September 2022 // IKLEKTIC, London
Jennifer Walshe: The Text Score Dataset
Performance with Megan Steinberg, James McIlwraith, Peter Nagle and Neil Luck.
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September 2022 // Nice to See You 6, The Hill Station, London
Two Guitars and Lomond, with works by Luke Martin, Pauline Oliveros and Laurence Crane
Performance with Luke Martin, Clare Spollen and others
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August 2022 // Clothworkers Centenary Concert Hall, University of Leeds
Piano and Accompaniment and Nomond, or, no more Lomond (premiere)
Performance with Clare Spollen, Joy Ingle, Mia Windsor, Ben Adamson, Ashruta Mani, Dave Riedstra and Alice Bhomwick
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August 2022 // Nice to See You 5, George Wood Theatre, London
Lomond, Buddha (Julius Eastman), Towmond
Solo performance
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July 2022 // Klangraum Festival, Neuer Kunstraum, Düsseldorf
Lomond
Performed with Antoine Beuger, Katie Porter, Angeles Rojas, Eva-Maria Houben, Steven Vinkenoog, Lörinc Muntag and Bernd Bleffert
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June 2022 // Deptford Town Hall, London
Piano and Accompaniment: after an étude by Camille Saint-Saëns, composer (premiere)
Performed with Anne Han, Freda D’Souza, Katie Grout, Meghan Marshall and Clare Spollen
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June 2022 // Wharf Chambers, Leeds
Drifting Music
Composed and performed with Joy Ingle, Dylan Thompson and Mia Windsor
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June 2022 // Nice to See You 4
Lomond, Buddha (Julius Eastman), Towmond
Solo performance
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May 2022 // Memorial concert for Jeremy Peyton-Jones, Goldsmiths, University of London
18 Guitars (Jeremy Peyton-Jones)
Performed with Arthur Dick for two electric guitars and 16 taped electric guitars
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March 2022 // Clothworkers’ Centenary Concert Hall, University of Leeds
Having only seen the score for James Tenney’s…
Performed by Brian Archinal (percussion)
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March 2022 // Wharf Chambers, Leeds
Winter Piece (premiere)
Solo performance
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February 2022 // Clothworkers’ Centenary Concert Hall, University of Leeds
Flute Study 1 (premiere)
Performed by Kathryn Williams (flute)
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January 2022 // Co-Incidence Festival, Somerville, MA, USA
The Hollies, for example
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December 2021 // Clothwokers’ Centenary Concert Hall, University of Leeds
Woodhouse, 09/11/2021, 9pm
Composed and performed with Joy Ingle
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December 2021 // Wolfe Center, Bowling Green State University, Ohio
Lomond
Performed by students and faculty
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September 2021 // Nice to See You 3, Pembroke House, London
Lomond, [untitled guitar piece], Piano Study 5 & 6 (all J.M .Creed); Six Bars (Darius Paymai); I lost my heart by the roses (Amber Priestley); Bobby J. (Laurence Crane)
Solo performance
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September 2021 // Nice to See You 2, Deptford Town Hall, London
Lomond (J.M. Creed); Three Welsh Landscapes (Katie Grout); What Will We Do When We Have No Money? (Mary Delaney arr. Lankum)
Performed with Outline Ensemble
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September 2021 // Nice to See You 1, Matchstick Piehouse, London
Piano Studies 1-6, Lomond (all J.M. Creed); Surfaces of Emergence (Scott. McLaughlin); Buddha (Julius Eastman)
Performed with Jack Rennie and Olek Nixon, guitars
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August 2021 // Cafe Oto, London
In C (Terry Riley)
Performed with Various Ensemble
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August 2021 // Cafe Oto, London
Fréedom. (Samuel D. Loveless)
Solo performance
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August 2021 (rearr. from July 2021) // Matchstick Piehouse, London
“verse-noise” night of improvised music and composed words
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July 2021 // Music We’d Like to Hear, St. Mary-at-Hill, London
Buddha, Julius Eastman
Solo performance
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June 2021 // Matchstick Piehouse, London
Solo improvisation
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June 2021 // Deptford Town Hall, London
Lomond
Performed by K. Grout (fl, dir.); F. Y. Rodrigues (pno); J. Keys (pno); M. M. Martinez (vln); P. Furniss (bc); F. Withers (vb); N. Gallagher (vla)
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June 2021 // Deptford Town Hall, London
Attica (Fred Rzewski)
Performed with Goldsmiths CME
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May 2021 // online
Sheepdogs
Performed by Echo Vocal Ensemble
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May 2021 // Tetractys “Net Work” commission series, virtual (based Austin, TX, USA)
Seven Lines for Sarah Hetrick
Development and premiere of Phonic Cycles with Sarah Hetrick, saxophonist and Virginia Lee Montgomery, video artist
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January 2021 // Co-Incidence Festival, virtual (based Somerville, MA, USA)
Lomond, The Hollies, for example & Somewhere on a Sundial
Performed with festival participants
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December 2020 // Ligeti Quartet “Workout!” workshop series
Seven Lines for the Ligeti Quartet
Performed by Ligeti Quartet
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September 2020 // PureGold Festival, Goldsmiths College, London
Three Welsh Landscapes (Katie Grout) (premiere);110920 London (Hardi Kurda)
Solo performance
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September 2020 // PureGold Festival, Goldsmiths College, London
Cartography V for Thady Cooney
Performed by Thady Cooney
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August 2020 // Themselves Residency 1, MOT, Peckham, London
Solo improvisation
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April 2020 // Guildhall Experimental Music Society, London
“Notation, People, Indeterminability”, session on verbal notation
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February 2020 // Bishopsgate Institute, London
Cartographies III & IV
Performed with Mira Benjamin, Anne Han, Katie Grout, Jay Keys and Khabat Abas
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February 2020 // Bishopsgate Institute, London
Concert of improvised music, students of Goldsmiths College
Improvisation with Khabat Abas, Anne Han and Jess Porter-Langson
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December 2019 // Goldsmiths College, London
Repeat Yourself Until Your Friends are Embarrassed (Amber Priestley); Surfaces of Emergence (Scott McLaughlin)
Performed with Goldsmiths Contemporary Music Ensemble
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October 2019 // Matchstick Piehouse, London
Abbey Road 50th anniversary playthrough
Performed with the Rob Howat Big Band
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October 2019 // Deptford Town Hall, London
Cartographies I & IV
Performed with Mira Benjamin, Katie Grout and Anne Han
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October 2019 // St. James Hatcham Church, New Cross, London
concert of improvised and experimental music
performed with students of Goldsmiths College, solo improvisation
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September 2019 // Haan, NRW, Germany
Cartographies I & IV and Hummingbirds
Performed with Antoine Beuger
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August 2019 // Daylight Music, Union Chapel, London
Cartographies I, II, IV
Performed with Amelia Gilmartin, Katie Grout and Jay Keys
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August 2019 // Matchstick Piehouse, London
Cartographies I-IV; Burdocks (Christian Wolff); Buddha (Julius Eastman); Lake Eden (Mary Jane Leach)
Performed with Outline Ensemble
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July 2019 // Goldsmiths College, London
session on listening practice and sound hierarchies for KS5 students from South London
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July 2019 // Extinction Rebellion, Waterloo, London
Cartographies I, II, IV
Performed with Outline Ensemble
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July 2019 // Daylight Music, Union Chapel, London
Burdocks V & VI (Christian Wolff)
Performed with Outline Ensemble
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June 2019 // PureGold Festival, Goldsmiths College, London
Buddha (Julius Eastman)
Solo performance
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June 2019 // PureGold Festival, Goldsmiths College, London
Those Newfangled Machines
Performed with Sam Loveless, Khabat Abas and Anne Han
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June 2019 // John Donne Primary School, Peckham, London
Session on listening practice and sound hierarchies for KS1 & KS2 students
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June 2019 // CMRU Treatise Project, Goldsmiths College, London
Treatise (pp. 115-126) (Cornelius Cardew)
Performed with Nine Trio, Circle Percussion and Outline Ensemble
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June 2019 // CMRU Treatise Project, Goldsmiths College, London
Treatise (pp. 115-126) (Cornelius Cardew)
Performed with Outline Ensemble
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May 2019 // CMRU Treatise Project, Goldsmiths College, London
Treatise (pp. 115-126) (Cornelius Cardew)
Performed with Circle Percussion
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May 2019 // CMRU Treatise Project, Goldsmiths College, London
Treatise (pp. 115-126) (Cornelius Cardew)
Performed with Nine Trio
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March 2019 // Goldsmiths College, London
Mikrophonie I (Karlheinz Stockhausen)
Performed with Sam Loveless, Khabat Abas, Anne Han, Thomas Fletcher and Josh Wilde
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November 2018 // St. James Hatcham Church, New Cross, London
Deer Isle
Solo performance
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